Tuesday, July 29, 2008

birds on a line; series update



I have always loved and appreciated the minimalist poetics found in Asian art. A single branch bisecting the horizon line, a mix of details in the foreground, all surrounded by dramatic negative space. The contrast and subtlety at creating space without the use of Western 'perspective'. I am over simplifying but we Westerners have been traveling to the far East in our art for a while. Degas, Monet, Picasso and Van Gogh are only a few that started the use of pictorial techniques that can be traced back to Japanese prints and Chinese painting.

In this series the structure of the glass has influenced me. The strong horizontals and cantilevers mixed with the outlines of the birds even further influenced the colors and shapes chosen.

Here is a second for viewing.



"9 Birds on a Wire"
12" x 9"
painted fused glass
2008
$150

Friday, July 25, 2008

birds on a line







A series exploring new techniques merged with past fascinations. Reverse painting on fused recycled glass scraps become relief habitats to a community of birds.

I would watch, draw and paint the black starlings outside my studio window when I was in art school (15 years ago; sigh). Like a daily soap opera I would tune in to the story outside my window. One bird, two bird, three bird, ten...... Depending on the number of birds or the distance between them a story emerged in their tensions. 'Does this bird not like that bird?' 'Maybe these two are a couple.' 'Why is that one always alone and separate from the rest?' You get the idea; It can go on and on. It did. So these birds way back then started me off asking questions that worked their way into my artistic pursuits. Their return has me keenly aware of a cycle of completion and a new beginning. Here is the first of many I wish to share.

9 1/2 birds on a wire
15" x 10"
2008
SOLD